RICHARD BECKER, FNSS

Artworks


Jane Stanford — Sculptural Studies

Concept studies exploring how sculpture might engage Jane Stanford’s legacy through perception, movement, and presence

These studies explore how a work of art might create curiosity and reflection within the everyday life of the Stanford campus.
The work reveals an image through movement — emerging and dissolving as people pass through the space.
Stacks Image 367

Cardinal Spirit
Perceptual sculpture study exploring movement, light, and image.

CONTEXT

Jane Stanford played a decisive role in the university’s survival following Leland Stanford’s death in 1893, guiding the institution through one of its most precarious periods.

Her bicentennial in 2028 provides a natural moment for renewed reflection on her role in shaping Stanford’s identity and future.

These studies explore how an artwork might invite that reflection through an experience that encourages curiosity, movement, and discovery.

Cardinal Spirit

Cardinal Spirit — Perceptual Sculpture Study

Stacks Image 453

Curved cardinal-red form perforated with a halftone portrait of Jane Stanford.

A tall curved form finished in Stanford cardinal red is perforated with a halftone pattern derived from a historical image of Jane Stanford.

From most viewpoints, the sculpture reads as an abstract form. From a particular vantage point, the portrait resolves suddenly into focus, then dissolves again as the viewer continues moving.

Rather than presenting a fixed point of view, the work reveals itself within the rhythms of daily campus life.

The appearance and disappearance of the image suggests presence emerging from absence — echoing how Jane Stanford’s influence continues to shape the university long after her lifetime.
Stacks Image 421

From one position along the path, the portrait resolves.

Stacks Image 423

As the viewer continues moving, the image dissolves again into abstraction.

The work invites curiosity and discovery, encouraging viewers to pause, move, and look again.

Developed in anticipation of Jane Stanford’s bicentennial in 2028, the study invites renewed reflection on her role in the university’s origins.

The scale, curvature, and primary viewing position would be refined in response to the selected site, including pedestrian approach, sightlines, and surrounding architecture.

Due to Jane — Figurative Concept Study

Stacks Image 430

Due to Jane — figurative sculpture study.

In addition to the perceptual sculpture concept, a figurative approach was also explored.

Due to Jane imagines Jane Stanford at college age, presented without the formal trappings of her era in order to create a more immediate connection with contemporary students.

At monumental scale, the sculpture would serve both as portrait and gathering place — a focal point inviting reflection on the leadership and resilience that sustained the university in its early years.

A sculptural study exploring Jane Stanford’s enduring influence on the university she helped sustain.

Stacks Image 219

Due to Jane (Portrait of Young Jane Stanford)
Bronze, Stainless Steel and Granite
10 feet tall
Concept for Stanford University

© Richard Becker Studio LLC
Studio based in San Diego
Working throughout Southern California and Los Angeles
Television Academy commission sculptures ©ATAS, used with permission